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Italo Rota
Italo Rota (Milan, 2 October 1953) is an Italian architect.
==Biography==
Born in Milan in 1953, he obtained a degree in Architecture at Milan Polytechnic University in 1982. Before that, he had started off in the architecture firms of Franco Albini and Vittorio Gregotti. During his four-year apprenticeship with Gregotti, he worked on his project for the Calabria University (1972–1973). He took part in the publishing of the magazine Lotus International in collaboration with architect Pierluigi Nicolin. Following this experience, the press and books became particularly important in Rota’s life, leading him to the development of a personal collection. At the beginning of the 1980s, he moved to Paris, where his two children were born, to work with Gae Aulenti on the project of the Musée d’Orsay,〔http://www.quodlibet.it/catalogo.php?A=Rota%20Italo〕 putting the museum at the centre of a wider concept. This experience continued in 1985, when Rota won the competition for the new rooms of the French School of the Cour Carré at the Louvre, inaugurated in 1992, and more recently, of the Museo del Novecento in Milan (2002–2010). During the twenty years he spent in France, he dealt with various aspects of design, from urban projects to layout plans for exhibitions, events and cultural institutions. Still in France, he worked in the theatre when new Italian scenographers, such as Margherita Palli,〔http://www.margheritapalli.it/〕 began to make a name for themselves. In those years, Rota worked above all with director Bernard Sobel. In 1988 he designed the scenography for Hécube and, using mirrors and back lighting, recreated in a surreal manner the seats of a Greek theatre. In the 1990s, Italo Rota began considering a possible return to Italy. He officially came back in 1996, moving his base from Paris to Milan, where he also served as City Councillor for urban quality (1995–1996). Rota’s house and studio in Milan were an integral part of his work:〔http://living.corriere.it/case/autore/2012/casa-milano-italo-rota-30598892428.shtml〕 there he gathered objets trouvés, books and pieces taken from various collections, from Yuri Gagarin’s helmet to masks from Central Africa, mixed up with material samples, drawings and maquettes. Throughout his career, he has been entrusted with many projects within and without the national boundaries. Between the end of the 1990s and 2005, Italo Rota designed the multimedia libraries in Anzola and San Sito.〔http://www.theplan.it/J/index.php?option=com_content&view=article&id=718%3Aitalo-rota&Itemid=15&lang=it〕 For Roberto Cavalli, he worked on boutiques and clubs all over the world, as well as on a villa on the hills near Florence.〔http://www.vogue.it/encyclo/architettura/r/italo-rota-e-roberto-cavalli〕〔http://www.studioitalorota.it/pages-projects/casa_cavalli.html〕 His works include land architecture projects, such as the requalification of the town centre of Nantes (1992–1995) and the Foro Italico promenade in Palermo (2005),〔:it:Foro Italico (Palermo)〕 and projects for buildings, such as the Boscolo Exedra Hotel in Milan,〔http://milano.boscolohotels.com/hotel-5-stelle/la-storia/〕 the Hindu temple of Lord Hanuman,〔http://blog.syncronia.com/en/dolvi-temple-of-hanuman/〕 the Ciudades de Agua pavilion for the Expo 2008 in Zaragoza,〔http://www.archiportale.com/news/2008/06/architettura/le-firme-italiane-all-expo-saragozza-2008_12068_3.html〕 the Triennale Design Museum in 2007,〔:it:Triennale Design Museum〕 as well as the above-mentioned Museo del Novecento,〔http://www.museodelnovecento.org/home/sede-e-identita-visiva〕 inaugurated in December 2010.
Besides working as an architect, he also worked for many design Italian companies. His productions, often the result of the collaboration with Alessandro Pedretti, see the object as an integral part of the designed space.
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